CD
| 1. Introduction | 0:08 | |
| 2. The Letter | 1:58 | |
| 3. Hawaii | 1:06 | |
| 4. You're So Good To Me | 1:39 | |
| 5. Intro | 0:44 | |
| 6. Surfer Girl | 2:32 | |
| 7. Intro | 0:22 | |
| 8. Surfin' | 1:57 | |
| 9. Intro | 0:42 | |
| 10. Gettin' Hungry | 2:43 | |
| 11. Intro | 0:33 | |
| 12. California Girls | 2:24 | |
| 13. Intro | 0:12 | |
| 14. Wouldn't It Be Nice | 2:06 | |
| 15. Heroes And Villains | 3:43 | |
| 16. Intro | 0:44 | |
| 17. God Only Knows | 2:47 | |
| 18. Intro | 0:53 | |
| 19. Good Vibrations | 4:08 | |
| 20. Barbara Ann | 1:59 | |
| 21. Outro | 0:38 |
| 22. BONUSTRACK: You're So Good To Me | 2:44 | |
| 23. BONUSTRACK: Help Me, Rhonda | 2:32 | |
| 24. BONUSTRACK: Surfer Girl (rehearsal take) | 3:16 | |
| 25. BONUSTRACK: Surfer Girl | 2:48 | |
| 26. BONUSTRACK: California Girls (rehearsal take) | 0:35 | |
| 27. BONUSTRACK: California Girls | 3:39 | |
| 28. BONUSTRACK: Surfin' (rehearsal take) | 1:04 | |
| 29. BONUSTRACK: God Only Knows (rehearsal take) | 2:31 | |
| 30. BONUSTRACK: God Only Knows | (Takes 1-6) | 4:06 |
| 31. BONUSTRACK: God Only Knows | 2:51 | |
| 32. BONUSTRACK: Good Vibrations (rehearsal take) | 4:59 | |
| 33. BONUSTRACK: Heroes And Villains | 0:51 | |
| 34. BONUSTRACK: The Letter | (From Rarities CD) | 1:47 |
Duración total: 67:41
| Notas originales de Aloha From Hawaii - (And Hollywood): |
| In August of 1967, the Beach Boys were reeling from a sudden and complete shift in their popularity in the United States. Just under one year earlier, they had the number one single in the country with "Good Vibrations", while at the same time, Brian Wilson had been in the midst of recording the follow-up to Pet Sounds, the Smile LP, with the two-part "Heroes And Villains" 45 as its centerpiece. Unfortunately, due to oft-documented problems both mentally and musically, by the late summer of 1967, Brian and the Beach Boys lost their momentum. They cancelled an important date at the Monterey Pop Festival, Smile went uncompleted, the bastardized "Heroes And Villains" 45 was issued and was not close to the success that "Good Vibrations" had been, and the "bunt instead of a grand slam" Smiley Smile album was to be issued in early September to relatively little chart action. In light of all this activity, business realities were creeping in. The Beach Boys still owed Capitol Records more albums through their newly activated Brother Records imprint, and to plug the gap, a live album was discussed. The logic behind this move was actually fairly sound. Interestingly, to date the Beach Boys has only enjoyed one #1 album in the U.S., 1964's Beach Boys Concert, A year later, the "live in the studio" Beach Boys Party had been a massive success. Therefore, while working on Smile, Brian had actually gone along with the Boys the previous October to record concerts in Michigan, the tapes of which proved too rough for public consumption (though they can be heard on Vigotone's Mike Love Not War). It was decided instead to record and film two shows on August 25th and 26th in a slightly more welcoming climate, Honolulu, Hawaii, for a project wittily entitled Lei'd In Hawaii. However, one important difference between these Hawaii performances and the earlier Michigan shows was the return to the stage of Brian Wilson, taking the place of his stand-in, Bruce Johnston. While this sounds tantalizing, the truth of the matter is that Brian ended up being a major reason these tapes went unused! Brian and the boys had not spent much time rehearsing, and his insistence on staying put behind his massive Wurlitzer organ for the most part during the performance led Carl and Al having to split up bass guitar duties. The only problem with this was that neither one was particularly used to playing said instrument, and the concert from the 25th that is featured here on Aloha From Hawaii (And Hollywood) shows off these limitations, both instrumentally and vocally. While one tune from this show, "Heroes And Villains", has been featured on Capitol's Concert / Live In London twofer as a bonus track, and a clip of "God Only Knows" was used in the 1998 Endless Harmony documentary, this is the first time that the concert has been issued in its entirety, in glorious mono, just the way Brian dubbed it down in early September 1967. During this rough mixing process, it became patently obvious that the show was not going to be able to be issued in this form without a considerable amount of doctoring. However, for reasons still unexplained, instead of simply overdubbing over the existing tracks, the Boys (with Bruce back in tow) reconvened in Hollywood on September 11th at Wally Heider Recording and recorded "live in the studio" versions of the tracks that were to appear on the album. Whether they were going to attempt a "fake" live album by overdubbing crowd noise or to do another Party-styled release is unknown, but the resulting recordings were certainly better than any of the Hawaii attempts! In the end, it was obviously thought best to let it be, as it were, and the entire Lei'd In Hawaii project was abandoned directly after these "rehearsal" sessions in favor of a new studio album, Wild Honey, the recordings for which took place from September through October at both Heider's and Brian's home studio. The first time any of these tapes was utilized in an official capacity was when "The Letter" appeared on 1983's Beach Boys Rarities LP, while other bits and pieces have shown up on both official and unofficial releases. Over the years, it has been assumed that these rehearsal sessions took place before the concert at the Honolulu International Center, but once recording details surfaced in the late 1990's, the truth became known that these were truly "after the fact" recordings. Here, compiled for the first time, are all the available tapes from this September 11, 1967 recording date. The Beach Boys would go on to record many, many more of their concerts over the next 15 years, with two actually seeing commercial release in 1970 (Live In London, recorded in 1968) and 1973 (In Concert, taped in 1972 and 1973), but neither would have the amount of time expended on them that the unissued Lei'd In Hawaii enjoyed. While there may be better recordings available, Aloha From Hawaii (And Hollywood) is a truly unique opportunity to hear how the five original Beach Boys sounded in 1967 performing many of their best-known songs in the midst of much internal and external strife. On a good day, there was still no better vocal group to be heard in the US of A. Wung Fat Chin Ho June 2001 |
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