Masonic Hall |
| Detroit (Michigan), États-Unis |
Trouver en les bootlegs suivants:
Artiste | Titre | Date | Compagnie | Source | |
|---|---|---|---|---|---|
 | The Rolling Stones | Black Limousine (2xCD) | Lobster Records | Table de mixage | |
| The Rolling Stones | Kentucky Fried Rockers (CD) | Kisses Deluxe | Table de mixage | |
| The Rolling Stones | Handsome Girls (4xCD) | The Swingin' Pig | Table de mixage | |
| The Rolling Stones | Just Our Imagination (2xCD) | Kiss The Stone | Table de mixage | |
| The Rolling Stones | Handsome Girls (4xCD) | Dandelion | ||
| The Rolling Stones | Lacerated (CD) | Vinyl Gang Productions | Table de mixage | |
| The Rolling Stones | Lacerated (CD) | Vinyl Gang Productions | Table de mixage | |
| The Rolling Stones | On Top Of Old Smokey (2xCD) | Vinyl Gang Productions | Table de mixage | |
| The Rolling Stones | Gorgeous Girls: Redux (4xCD) | Sister Morphine | Table de mixage | |
| The Rolling Stones | Handsome Girls ~ Definitive Version (4xCD) | Devil Productions | Table de mixage | |
| The Rolling Stones | Can't Stop Rollin' (2xCD) | Singer's Original Double Disk | Table de mixage | |
| The Rolling Stones | From Lakeland To Oakland (2xCD) | Red Devil | Table de mixage | |
| The Rolling Stones | Hound Dog ~ The Lost Handsome Girls (CD) | Table de mixage | ||
| The Rolling Stones | Lost Legal Live Tracks ~ The Live B-Sides Anthology (2xCD) | Rattlesnake | Table de mixage | |
| The Rolling Stones | The Lost Handsome Girls (CD) | Table de mixage | ||
| The Rolling Stones | Complete Lacerated ~ Live From US Tour 1978 (2xCD) | Acid Project | Table de mixage | |
| The Rolling Stones | Torn Up At The Temple, Detroit '78 (2xCD) | 1978-07-06 | Rockin' Rott | Audience |
| The Rolling Stones | Abandoned In Detroit (2xCD) | 1978-07-06 | Dog N Cat Records | Table de mixage |
| The Rolling Stones | Sucking In Detroit (2xCD) | 1978-07-06 | Rattlesnake | Table de mixage |
| The Rolling Stones | Detroit, Masonic Temple Auditorium 6 July, 1978 (2xCD) | 1978-07-06 | Rubber Duck Productions | Audience |